History & Culture
 Bhaktapur Durbar Square
In the shadow of the Himalaya, nature and humanity
coexist in the most remarkable ways. Over thirty-six ethnic groups
speaking as many languages of both Tibeto-Burman and Indo-Aryan
origin make their homes here, living largely off the land. Their
diverse dress, jewelery, beliefs, and festivals make up the lively
tapestry that is Nepal.
The country is the world's only Hindu kingdom and
has a sizeable Buddhist minority, yet there is no history of ethnic
strife here. Nepali people of all ethnic and religious persuasions
are famous for their friendly, welcoming attitude. The definition of
hospitality here goes far beyond your wildest imagination - you will
be welcomed into homes across the country with a smile and a warm
cup of tea, and leave with lifelong friends.
Some three millennia ago, the 'Caucasian' Aryan
people, who had probably actually started their wanderings from the
steppes of today's southern Russia or Ukraine, had pushed into the
North Indian plains as far as the Himalayan foothills. And there
they settled, displacing some of the original inhabitants (and
likely absorbing a good number of them into their own community) as
they started to build their fiefdoms, kingdoms and empires. They
also brought with them the roots of the religion we know today as
Hinduism, although even the earliest of their recorded Vedic
practices and pantheon were influenced by indigenous traditions of
worshipping local deities and spirits. Meanwhile the Tibetan
influence from beyond the Himalaya has made Nepal the melting pot of
races, religions and customs that it is today.
Ancient Nepal At the
outset, it should be mentioned that the history of ancient Nepal is
primarily the history of the Kathmandu Valley. There are two reasons
for this. One is the lack of historical records for other parts of
Nepal and the other is that the colorful past of this beautiful
valley easily outshines what is known about other areas. There is
also the fact that the name of the country is taken from the name by
which Kathmandu was known in earlier times - Nepal Valley.
The tale of Kathmandu dates back to the time when
the Gods communed with mortals. A glimpse into that period is found
in the Buddhist chronicles that tells of the coming of the
Bodhisattva Manjushree from China to worship Swayambhu. As the
legend goes, Swayambhu, a manifestation of the Adhi Buddha, the
primordial Buddha, was a brilliant flame emanating from a lotus
flower that rested in the midst of the giant lake Nagarad. From atop
distant Mandapgiri (now Nagarkot), Manjushree gazed at this wondrous
sight and decided to worship this flame more closely. By going to
the lowest hill in the southern part of the valley and slicing a
portion of it with his Sword Of Wisdom, he drained the lake, thus
creating the Chobhar Gorge (which still today drains the rivers of
the Kathmandu Valley). The valley with its fertile soil appeared,
and Manjushree proceeded on his mission to worship the Swayambhu,
which had rested upon the small hillock of present-day Swayambhu.
Manjushree is then said to have founded the city of Manjupatan,
which was located midway between Swayambhu and Gujeshwori (near what
is today the Kathmandu airport), and proclaimed his disciple
Dharmakarma as the ruler of that city. It was also during this era
that Krakuchanda Buddha, Kanak Muni Buddha and Kashyapa Buddha
visited the Kathmandu Valley to worship Swayambhu and Gujeshwori.
Aware that Kaliyug, the Dark Age, was drawing near,
Kanak Muni Buddha sent Prachanda Deva, King of Gaur (Bengal), to
cover the flaming image of Swayambhu since only such an act would
preserve it from the gaze of the sin-ridden world. So, Prachanda
Deva built a stupa encasing the sacred flame of Swayambhu.
Later, Prachanda Deva sent his son Shakti Deva to
enthrone their cousin Gunakama Deva as King of Nepal. Gunakama's
reign saw a great famine afflict the kingdom but with aid from the
Goddess Shantishree, he was able to overcome that disaster. The last
king of this dynasty was Singhakhetu and, in his reign, the country
flourished in both trade and commerce. It is said that the kingdom
even conducted trade with places as far away as Singhaladeep (Sri
Lanka).
The demise of Gunakama's dynasty saw a succession
of rulers from the provinces of India such as Bengal and even from
as far as Madras rule Kathmandu. The most renowned was Dharmadutta
of Kanchipuram who is said to have built the Pashupatinath Temple.
Boudhanath may have been built by Dharmadutta's second successor.
Then came the Ahir or Abhir Dynasty who were a race
of cowherds. There were eight kings in this line, the first being
Bhuktaman and the last Yaksha Gupta. Owing to pastoral disputes,
this dynasty was then replaced by another Abhir dynasty of
shepherds. This second Abhir dynasty had a succession of three kings
and their rule ended when Bhuban Simha was defeated by the Kirati
invaders.
The Kiratis The
Kiratis were a tribal hill people who came from the East. (The
Ramayana mentions them as being dwellers of the north-eastern
Himalayan region.) The Kirati invasion of the Kathmandu Valley
occurred sometime around 700 BC. The most famous among the Kirati
rulers was Yalambar - the first of them.
Jitadassi, the seventh king, is said to have helped
the Pandavas during the great war of the Hindu epic the Mahabharata.
It was also during the reign of Jitadassi that Gautama Buddha was
said to have visited the Valley. The Kiratis' rule saw a succession
of 29 kings until the Licchavis in around AD 200 defeated Gasti, the
last of them.
The Licchavis
The advent of the Licchavis brought in the first golden era of Nepali
art and culture. They introduced the Hindu caste system into the Valley.
Among the 48 Licchavi rulers, the most well known was Mana Deva I, who
ascended the throne in AD 464, was a ruler of considerable talent and
abilities. He consolidated the kingdom in all directions with his powerful
army and political tact. He was also a patron of the arts. Pagoda-roofed
structures came into vogue. Sculptors fashioned exquisite images of
their Gods and Kings. It was during this same period that the temples
of Changunarayan, Vishankunarayan, Sikhornarayan, and Ichangunarayan
were built. Other notable masterpieces include the Reclining Vishnu
of Budhanilkantha, the gilding of the roof of Pashupatinath Temple,
the struts of Hanuman Dhoka and the Basantapur Tower, the Uku Bahal
in Patan, and, the Indreshwar Mahadev Temple at Panauti.
The Thakuris
Amsuvarma, of the Thakuri lineage, ascended the throne in AD 605 upon
the death of his father-in-law Shivadeva, a Licchavi king. According
to the traveling Chinese monk Huen Tsang, Amsuvarma had attained high
military and literary glory. Of his palace at Deopatan, Huen Tsang says
that it was seven stories high and ornamented with gems and pearls.
Amsuvarma made matrimonial alliances with both his powerful neighbors
of the north and the south. To Srongsten Gampo, Tibet's powerful
ruler, he offered his daughter, Bhrikuti, and to the Indian Prince,
he offered the hand of his sister. (It was Bhrikuti, along with a Chinese
princess, who converted the Tibetan king to Buddhism, thus heralding
the advent of the religion the country was later to become famous for.
Bhrikuti is considered the Green Tara of the Tibetan Buddhist pantheon
while the Chinese princess is known as the White Tara.)
After the death of Amsuvarma in AD 629, power reverted to the Licchavis
once again for a considerable period of time. It was only in AD 879
that the real Thakuri Dynasty was founded by Raghadeva. To commemorate
this event, Raghadeva established the Nepal Sambat Era, a calendar which
is still followed by the Newars of Kathmandu Valley and is running in
its 12th century.
The reign of the Thakuris is considered the Dark Age in the history
of Kathmandu due to strife and turmoil during this period that included
the ravages of multiple foreign invasions. But trade and commerce still
flourished and cities and settlements grew.
Another king, Gunakamadeva, who ruled from AD 949 till AD 994 deserves
special mention. It was he who introduced the important festivals of
Indra Jatra, Macchendranath Jatra, and Krishna Jayanti. But more importantly,
Gunakamadeva founded Kantipur, today's Kathmandu.
The Mallas
In AD 1200, King Arideva assumed the title of Malla, and the dynasty
of the Mallas ruled Kathmandu Valley for a total period of 568 years.
At one time, during the reign of King Yakshya Malla (1428-1482), the
Valley's territorial gains extended north as far as Digarcha in
Tibet, to Gorkha in the west, to Morang in the east, and southwards
to Bodh Gaya in Bihar, India. The early period of the Malla rule saw
peace and tranquility with a great deal of progress in all spheres of
life. Though the Mallas were Vaishnavite and Shaivite Hindus, they showed
tolerance towards other religions. Endowments were made to Buddhist
temples and monasteries. Muslims were allowed to settle in the Valley
although they were forbidden to convert others. Even a Roman Catholic
Mission of the Capuchin order was allowed into Kathmandu and granted
land by royal decree.
The Mallas were benevolent patrons of the arts and it was during their
reign that an artistic renaissance arose. Traditionally passed down
from father to son, the skills of the artisans were high. Further developments
evolved with new ideas being acquired from neighboring kingdoms. These
craftsmen excelled in stone-carving, wood-carving, brick-making, metalwork,
and painting.
The Fame Of Arniko
In the 13th century, Arniko, a Newar architect and master craftsman
of Bhaktapur, was invited to build a stupa in Tibet at the request of
Kublai Khan. Word had reached the ears of the Mongol emperor about Arniko's
prowess as a master builder. Soon, after the initial assignment, Arniko
was conscripted into the Court of China as "The Controller of
Imperial Manufacture."
Other Newari craftsmen were also invited to Tibet and China. On their
return, they brought back a new style which was a fusion of their original
Newari style combined with Tibetan (Chinese) art. An example of this
style is seen in the Golden Gate of Bhaktapur, which was built in 1754.
It has Tibetan and Chinese motifs inlaid among the periodic designs.
Communes of Clay
Bricks were the main components used in construction. The Newari builders
devised a method of strengthening regular fired bricks by mixing oil
to the clay. Called chikau uppa (or telia eet in Nepali) meaning "oiled
brick," this novel technique brought about stronger and longer-lasting
constructions. Houses, temples, street walks and courtyards were all
constructed with this brick.
Besides the three principal cities, other settlements grew around
the Kathmandu Valley. Fortresses were set up at strategic points to
serve as defense outposts and also provided protection to the farming
community spread all across the Valley. Others grew up along the flourishing
trade routes. Wary of attack by bandits and foreign invaders, people
built their houses in close clusters, often on high ground, fortified
by high walls.
Lalitpur
The renaissance during the Malla era saw further development in the
craft of image-making. Stone carvings of the earlier times gave way
to metal craft. All the spires of important temples and shrines were
crowned with gold; this technique of gilding involved a chemical compounding
process. Skill in metal craft reached a high degree of excellence and
Patan, or Lalitpur (city of arts) became the center. The best example
of that period can still be seen today in the 14th-century Kwa Bahal,
the Golden Temple. Tibetan pilgrims who came on pilgrimage to this site
were so enraptured by the sight of it that they called it "Yerang",
meaning "Eternity Itself."
Bhaktapur
While the artisans of Patan excelled in metalwork, the artisans of Bhaktapur
pursued the traditional craft of stone and woodcarving. Evidence of
their excellence is still visible today as one observes the 55 Windowed
Palace, the Peacock Windows, and the Nyatopola Temple, all built during
the reign of King Bhupatindra Malla.
It is believed that Bhupatindra Malla was brought up by a carpenter
since his step-mother had ordered to have him killed to make way for
her own offspring to become king. He is considered to be among the ablest
rulers of Bhaktapur. He was also a contemporary of Shah Jahan, the Indian
emperor who built the Taj Mahal. In all likelihood, it is possible that
Bhupatindra Malla was inspired by the Moghul Emperor and his sense of
grandiose art.
Paubha- Newari Paintings
From the 11th century, religious manuscripts were embellished with paintings.
The earliest of these were inspired by Buddhism. Drawn on palm leaf
strips, these simple ink sketches were accented with basic natural colors.
After the 15th century, paper began to replace the leaf.
The Newars also had a miniature form of painting till the 14th century
that was distantly related to the Indian Pahari School. Eventually,
that form gave way to scroll painting. Like the craftsmen, Newar painters
had been invited to Tibet to paint murals and scrolls in the monasteries.
Tibet was then a prosperous trading country. Traders traveling the Silk
Route brought in merchandise from other kingdoms and this provided an
opportunity for the artists from Kathmandu to study the arts of the
other parts of Asia. As a result, they were able to incorporate their
own and other styles into traditional Tibetan art and evolve a whole
new genre. When the Newar artists returned to their own kingdom once
more, they used their knowledge to create splendid works of art in the
Kathmandu Valley.
Political Strife
King Yakshya Malla, who ruled from AD 1428 to 1482, was reckoned to
be the bravest and most distinguished among all the Malla kings. It
was during his reign that the kingdom grew to its largest extent, and,
like his predecessors, he was a great patron of the arts. He was also
a benevolent ruler who gave alms to the poor and improved the living
conditions of his subjects by building canals and waterways for farmers.
But prior to his death he committed a grave mistake that was to bring
to an end the glorious age of the Malla Empire.
Yakshya Malla divided his kingdom among his sons, and so for a hundred
and fifty years onwards, the independent kingdoms of Kantipur, Bhaktapur,
Lalitpur and Banepa were perpetually embroiled in petty disputes and
squabbles among each other. This internecine struggle finally led to
the demise of the Mallas, beginning in 1768 when the conquering king
of Gorkha, Prithvi Narayan Shah, captured Kantipur (Kathmandu) on the
day of the great Newari festival Indra Jatra.
Modern Nepal
The nation-state of Nepal was the creation of King Prithvi Narayan Shah
(of whom the present king is a direct descendant). Prithvi Narayan Shah,
the ruler of the small principality of Gorkha, campaigned to unite the
various kingdoms that dotted the geographical area defined by modern
Nepal. The conquest of Kathmandu Valley, which took a total of ten years
of planning, siege and diplomacy, was the highlight of his conquests.
The work begun by King Prithvi Narayan was continued by his descendants.
At the greatest extent the Nepali (then known as the Gorkhali) Empire
covered an area that was at least a third more than its present confines.
Around this time, Nepali expansionism came into conflict with the
British, who were themselves busy with their own empire?building spree.
The two forces met in a series of battles that culminated in the Treaty
of Sugauli in 1816. The Treaty reduced the recently expanded Nepali
kingdom by a great deal, but after that Nepal was left alone. The country
was never colonized.
The lull that followed the ceasing of external hostilities, however,
saw a series of internal conflicts begin. These power struggles were
the result of the polarizing of authority between the then king Rajendra
Bikram Shah's multiple queens who supported different aristocratic
clans in their proxy fights.
In 1846, Jung Bahadur Rana usurped power as prime minister with the
help of one of the queens and abrogated the right of his family to rule
by decree as prime ministers, relegating the monarchy to the backstage.
This Rana oligarchy, not unlike the shogunates of Japan, lasted for
104 years in which the post of prime minister was transferred from brother
to brother. During this time, the Rana rulers bled the country white
in their quest to emulate the grandeur of the British.
Innovation of any kind within the country was disallowed and the people
were kept on a tight leash. Criticism was taken from no one, not even
from within their own family. But the most notable feature of the Rana
rule was that Nepal was kept in isolation throughout the long century
of their power.
That ended in 1949 when the then King Tribhuwan (the present king's
grandfather) took on the might of the Ranas and with the help of a popular
armed revolt forced the Ranas to surrender power. Political parties
then openly entered the Nepali political scene. The first post-1949
government was a coalition between the Ranas and the Nepali Congress,
the party which had led the revolt.
The coalition floundered in no time due to a split in the Nepali Congress.
After this followed a period of political instability with governments
successively formed and failed. It needs to be noted here that none
of the governments constituted then had a popular mandate; their formation
was purely a matter of the king's pleasure.
In order to end this uncertainty in the political scene, general elections
were called in 1958. The Nepali Congress came to power with an overwhelming
majority. But in 1960, King Mahendra, the present king's father,
engineered what has been called a 'palace coup'. Moving
swiftly, he had all political parties banned, the leaders, ruling as
well as opposition, thrown into prison, power consolidated into his
own hands and a political system called the party less Panchayat system
adopted.
It was through this political dispensation that King Mahendra and
later the present King Birendra Bir Bikram Shah ruled Nepal for 30 years.
All along political dissent was not tolerated. Things changed slightly
after the 1980 national referendum which was called after a student?led
unrest began to get increasingly violent. The referendum asked the people
to choose between the existing party less Panchayat system and a multi-party
system- the party less Panchayat system won 55 percent of the votes
amidst charges of massive rigging.
But despite all efforts the Panchayat system was doomed to failure.
In 1990, the Nepali Congress and the communists joined hands for the
first time to try and overthrow the Panchayat system. During a campaign,
at times bloody, that lasted a month and a half, it became evident that
the Panchayat system could not last long. King Birendra, recognizing
this fact, bowed to popular will and lifted the ban on political parties.
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